The Art of Kui Performance  of Kazakh Ethnic Group in China

APA 6th edition
In-text: (Maulet, Smakova, Junussova, Karsakbayeva & Rakymzhan, 2016)
Your Bibliography: Maulet, A., Smakova, Z.N., Junussova, B.B., Karsakbayeva, A.A. & Rakymzhan, a.A. (2016). The Art of Kui Performance of Kazakh Ethnic Group in China. International Journal of Environmental and Science Education, 11(18), 11449-11465.

Harvard
In-text: (Maulet, Smakova, Junussova, Karsakbayeva and Rakymzhan, 2016)
Your Bibliography: Maulet, A., Smakova, Z., Junussova, B., Karsakbayeva, A. and Rakymzhan, a. (2016). The Art of Kui Performance of Kazakh Ethnic Group in China. International Journal of Environmental and Science Education, 11(18), pp. 11449-11465.

Chicago 16th edition
In-text: (Maulet, Smakova, Junussova, Karsakbayeva and Rakymzhan 2016)
Your Bibliography: Maulet, Ardabi, Zaure N. Smakova, Balzhan B. Junussova, Aigerim A. Karsakbayeva and and Assel Rakymzhan (2016). "The Art of Kui Performance of Kazakh Ethnic Group in China". International Journal of Environmental and Science Education 11 (18):11449-11465.

Abstract

The art of kui performance on the Kazakh steppe, its regional and executive peculiarities fall into different performance schools. Compared to the art of kui performance in Western Kazakhstan (tokpe style) that was thoroughly investigated in many scientific works, shertpe kui tradition has recently gained the attention of scientists and started being investigated. However, the performance features of shertpe kui schools, especially the kui heritages preserved by Kazakhs in China aren’t fully investigated so far. In light of this, the purpose of this article is to determine the nature of the art of kui performance of the Kazakhs in China, their specific artistic peculiarities as an integral artistic phenomenon. The articles uses historical, comparative and theoretical method of investigation. Therefore, for the first time the article: Views three regions of the art of kui performance of the Kazakhs in China separately; Gives general scientific description of the style of performance peculiar to each region for the Kazakhs in China; Scientifically describes the ways of installing the frets to the types of traditional ancient dombra in these three regions.

Keywords: The art of kui; dombra; Chinese region; nomadic culture; folklore music

References

Abdollauly, K. (2006). Beisenbi’s kuis. Xinjian national publishing house.

Abugazy, М., Mauletuly, А. (2008). Ashim and kuis of Ili region. Almaty lem publishing house.

Alimbekuly, B. & Khalykuly, D. (1985). Ki kainary. Kuitun publishing house.

Asemkulov, T. (1989). Dombyraga til bitse. “Zhuldyz” journal. 5.

Cinar, K. (2013). Turkey and Turkic Nations: A Post-Cold War Analysis of Relations. Turkish Studies. 14(2): 256-271.

Edelbay, S. (2012). Traditional Kazakh Culture and Islam. International Journal of Business and Social Science. 3(11).

Johanson, L. (2015). 5 The History of Turkic. The Turkic Languages. 81.

Kamzaiuly, N. (2008). Saz sardary. Xinjian zhaster-orender publishing house.

Keikin, Zh. «Golden book of Kazakh proverbs». Almaty: Aruna publishing house. 224.

Levent, S. (2016). Common Asianist intellectual history in Turkey and Japan: Turanism. Central Asian Survey. 35(1): 121-135.

Magauin, M. (1976). Kui performer Baizhigit. “Zhuldyz” journal. 9.

Makaiuly, K. (2008). Kui piri. Xinjian national publishing house.

Masimkhanuly, D. (2012). Eurasian civilization – the spiritual relationship of ancient Turks and China. Astana.: Foliant publishing house. 265-296.

Mayor, A. (2016). The Eagle Huntress Ancient Traditions and New Generations.

Omarbekov, T., Khabizhanova, G., Nogaibayeva, M. (2013). Central Asian Turkic Tribes: Karakitay Periodin Their Cultural and Ethnic History. World Applied Sciences Journal. 25(11): 1589-1594.

Rassadin V. I. (2014). The Ethnic Composition of Tofalar. World Applied Sciences Journal. 30 (11): 1547-1551.

The anthology of 1000 Kazakh traditional kuis. (2009). EL production company, Ltd. 62-99.

The institute of literature and art after М.О.Auezov. (2014). The art of Kazakhs in foreign countries, collective monograph. Kurisv LTD publishing house. 267-272.

Toropova, A.V., Gadzhieva, Z.Sh. & Malukhova, F.V. (2016). Musicality: A Phenomenon of Nature, Culture, and Identity. IEJME-Mathematics Education. 11(5): 1373-1382

Turlykozhauly, D., Mazauly, D., Dosmyrzauly, A., Dauletuly, Е., Sharipuly, A. (1984). Kozheke Nazaruly Kui tolkyny. Xinjian jastar publishing house.

Zhixiang J. (2015). Social Structure, Practical Needs and Cultural Inheritance: The Case of Osman Batur, His Behaviourial Logic and Social Interactions. China: An International Journal. 13(3): 25-46.